Use right/down chevrons in the download manager and order downloaded
tracks by disc and track number, matching the album screen. Move sync
concurrency to the end of the network settings, let the artist hero name
wrap to six lines, and leave the album hero title unbounded.
Restore the both-tables-empty fallback in the credit recompute, skip
redundant marker writes, append albumless tracks after album tracks, and make
the paged artist query observe sources. Add tests for an interrupted sync and
the partial-relation migration guard.
Left-join albums in the artist queue queries so albumless credited songs can
be played, downloaded and deleted. Add sortName to the starred index, persist
a per-source stale-credit marker so an interrupted sync cannot strand artist
counts or hide artists, and recompute artist play data in one grouped pass.
Add artists.credited, updated at the end of a sync that changed artists or
credits and backfilled on upgrade when relation data exists. Filter the
artist lists and the downloaded artist list on it, which keeps partially
synced libraries visible and hides display-only rows once credits are known.
Filter the paged, search and home artist lists to artists referenced by the
plural credits, falling back to the full list while the relation tables are
still empty. Display names keep using the singular tag and navigation keeps
using the plural refs.
Collect every credited artist id when resolving album and song sort keys so
the singular id and plural refs can both be looked up, and add regression
tests for the compilation and stale-sort-name cases.
Drop the FTS tables before the backfill so the old triggers do not index rows
that are about to be discarded, and rely on createSearchIndex's rebuild
instead of rebuilding a second time. Treat a whitespace-only artist sortName
as absent, and use the sort keys in the downloads tree too.
Parse the OpenSubsonic sortName attributes, store sort keys on artists,
albums and songs, and sort on them instead of the display names. Resolve
album and track artist sort names from the artists table, and include the
keys in the FTS content so romaji sort names are searchable as well.
Schema 31 rebuilds the sort indexes and search tables, and backfills
existing rows from their display names.
Use songCount as the total for both artist status queries and stop excluding
albumless tracks from download attribution, so the Artists badge and the
artist page agree. Backfill song counts in the 29->30 migration for offline
upgrades, and recompute only when a song moves albums or its credits change
rather than on every play-metadata sync.
Add artists.songCount, recomputed after syncs that change albums or songs,
and derive the Artists tab status map from the download rows plus that count
instead of walking every song. The badge query is now proportional to
downloads rather than library size.
Rewrite artist queue membership as a UNION of indexed song-id branches
instead of an OR that scanned every song, and recompute artist play data from
an explicit credited-album set instead of scanning all albums per artist.
Run PRAGMA optimize after syncing songs and before play aggregation, and
derive downloaded artist lists and filters from downloads rather than all
songs. Count downloaded albums per artist with artist-first branches.
Extend the query timing harness with the artist playback, download and status
queries plus a partial-download fixture.
Keep the server's combined legacy artist/albumArtist string when it is
present, prefer the OpenSubsonic displayArtist when it is not, and otherwise
join the plural artist refs with Navidrome's separator. The normalized value
is stored in the display columns, so song rows, album cards, now playing,
menu subtitles, downloads, search and artist ordering all get it.
Rewrite the artist album lookup as indexed UNION branches instead of ORs
that scanned the song table, and let artistName take the first indexed row.
Keep the type label and album count blank until the album flow has emitted,
so the page no longer flashes "Artist" and "0 albums" before showing the
real values.
A multi-artist album or song now adds one row per artist, so the sheet can
exceed the screen and clip the remaining actions. Cap it at 560dp and scroll
the content inside.
Credit all album artists in play aggregation and recorded plays, include the
relation rows in the downloaded artist list, and fall back to the album artist
display name in download groups.
Also keep the chooser scrollable, close it when the track changes, keep the
singular id in the album-artist label, stop a nested artists container from
swallowing later artist elements, and make the refs encoding length-prefixed
so tag values cannot corrupt it.
OpenSubsonic servers send plural artists/albumArtists refs and can omit the
singular artistId when an album or song has more than one artist. Parse and
store the ordered refs on the item and in indexed album_artists/song_artists
tables, so artist pages, shuffles, downloads and the artist filters include
every credited artist.
Album and now playing artist taps open a chooser when several artists are
credited; context menus get one artist row per artist.
The toggle's behaviour was untested: deleting the Modifier.keepScreenOn(),
hard-coding the row's request or emptying the Switch handler all left the
suite green, so none of the three new code paths were actually pinned.
- NowPlayingKeepScreenOnTest renders Now Playing and asserts a view in the
activity tree holds the screen on while the flag is set and releases it
once the flag clears.
- SettingsScreenTest now covers off->on and on->off on the row, and the
Switch itself, instead of only the off->on row click.
- Remember the keep-screen-on flow so NowPlayingRoute stops tearing down
and rebuilding its DataStore collector on every position tick.
A screen timeout mid-album is a common complaint for a music player: the
phone lies on a table while art or lyrics are on screen and the display
sleeps. Add a Settings toggle under Playback, off by default, that holds
the screen awake while now playing is open. The flag rides on the now
playing overlay through Compose's keepScreenOn modifier, and since the
overlay is only composed while expanded, collapsing it releases the flag
without any window-flag lifecycle handling.
Closesaustinried/subtracks#201
Review follow-ups.
- The snap clamped nothing, so an out-of-range stored value would show a
decibel label the slider cannot reach: clamps now live in the snap
rather than duplicated in the step.
- The screenshot test only rendered the dialog without asserting it
opened, so deleting the row's click would have left it passing while
the capture showed the plain list. It now requires the dialog's Reset.
- "Adjust level on top of the ReplayGain" was not grammatical, and the
mode prompt claimed the server normalises when it only supplies the
tags.
- Drop a test assertion that restated the production formula.
The in-repo comment rule allows a comment only when it names an external
system, version or issue, so both of these now name Compose Material 3,
which is what they are actually about.
Fifty-nine steps across a phone-width track is a tick every few dps,
which reads as a smudge on the bar. The steps are what make the slider
snap in 0.5 dB increments, so they stay; only the tick drawing is
suppressed, through a SliderDefaults.Track that skips drawTick.
- Call it ReplayGain, which is the name of the standard, in the row, the
prompt and the preamp prompt.
- Give the slider room under the prompt instead of sitting against it.
- Put Reset in the button row, where it lines up with Cancel and Done,
rather than above them, and centre the decibel value that is left in
the content.
- Add a screenshot test that scrolls to the section and opens the dialog,
which also composes the new rows; the existing screenshot only captures
the top of the list, so it never rendered them.
The slider alone is awkward for the two things people actually do with a
preamp: zero it, and nudge it by a known amount.
- Minus and plus buttons flank the slider, stepping one grid notch (0.5
dB) and disabling at the ends.
- A Reset button sits under it, beside the current value, disabled when
the value is already zero.
- Both go through the same snapping the slider does, so a button cannot
land off the grid.
Review follow-ups.
- Remove the second "Playback" section header the rows were added
under; the section already had one, so the screen rendered it twice.
- Snap the preamp to the 0.5 dB grid in the dialog. Material's slider
snaps in pixel space and converts back, so the value it reports is near
the configured grid but not on it: -1.0 dB arrives as -0.99999905, was
displayed verbatim and was stored that way until the next drag. The
step count is now derived from the range rather than hardcoded.
- Format the decibel value with the resource locale so translated
layouts get their own decimal separator.
- The controls move to `ReplayGainControls.kt`, since the file now holds
the grid as well as the labels, and the snap is covered by a test that
reproduces the off-grid value without it.
Final slice: the screen that drives the mode and preamp preferences the
playback side already reads. Until now `setReplayGainMode` and
`setReplayGainPreampDb` had no production caller, so Off and the preamp
were unreachable.
- `SettingsViewModel` exposes both preferences and writes them back.
- The Playback section gains a "Replay gain" row opening an Off / Track /
Album choice, and a "Preamp" row opening a slider across the +-15 dB
range in 0.5 dB steps.
- `ReplayGainMode` is ordered Off, Track, Album so the choice list reads
that way; the stored value is the name, so the order is not persisted
and the default is still Track.
- The labels live in their own file so the signed decibel formatting can
be tested, as `formatTrackTime` does.
Float output is the one way the audio processor chain is skipped on this
build, and it is a flag the renderers factory is handed. Nothing sets it,
so nothing happens today; if it is ever turned on, this says so once at
sink construction rather than leaving replay gain silently inapplicable
to high-resolution tracks.
Offload has no equivalent check: it is not a flag this code sets, and
AudioSink.setOffloadMode is only reachable by building the audio renderer
by hand. The factory comment names it instead.
Review follow-ups for the apply slice.
- A negative-infinite gain produced 0 dB, not unity: 10^(inf/20) is 0.0,
which is finite, so the result guard never fired and the track played
silent — the opposite of what the guard is for. A large-enough finite
negative gain underflows the same way, and an infinite gain paired with
a peak survived as the cap. The gain is now rejected before the pow and
an underflowed result falls back to unity.
- A peak carrying no data shadowed a usable peak in the other slot, so
trackPeak=0 with albumPeak=0.5 skipped the cap entirely — the gonic
shape on the default mode. Both peaks are filtered before one is chosen.
- Drop the claim that a period-less flush comes from a sink reset; it does
not, and the guard stands on its own.
- Trim two comments back to naming the Media3 types.
- Revert the observeStar rename, which was for a path that no longer
applies the gain.
The in-repo comment rule now allows a comment only when it names an
external system, version or issue, so the ones carrying rationale move
to this message.
- why the gain rides on the media item: PlaybackService can then apply it
the moment the item becomes current instead of after a library round
trip
- that ReplayGainController is written from the playback thread by
onFlush and from the app thread by the preference collector
- that an empty passthrough input is the pipeline's own shared buffer,
which cannot be put into itself
Review follow-ups for the apply slice.
- Drop the media item transition application. It never supplied a gain
the flush had not already supplied, and as a second writer it raced the
playback thread: it applied the incoming item's gain while the outgoing
item's buffers were still queued, scaling the previous track's tail by
the next track's gain (reproduced at +12 dB). The flush is the only
writer now.
This reverses the earlier decision to keep it as a fallback. That was
made on the premise that it was insurance against a flush that could
not be resolved. The flush covers every transition, and a period-less
flush only happens while the sink is being reset, so the premise does
not hold.
- Ignore a flush that carries no period rather than reading it as "this
item has no gain". Resetting to unity there would have been wrong if a
bare flush ever arrived mid-playback; the test that pinned that
behaviour now pins the opposite.
- Guard the pass-through branch against an empty input, which is the
pipeline's own shared buffer and cannot be put into itself.
- The controller is written from the playback thread now, so its state
updates and the recompute that follows them are synchronized rather
than two independent volatile writes.
- Add ReplayGainSinkTest, which drives the real DefaultAudioSink and
asserts it hands the processor the item being configured. That is the
media3 behaviour this whole feature rests on, and it was previously
asserted only by comments.
The app-thread transition callback was only ever a stopgap: media3 posts
it after the playback thread has already rendered, so the first buffers
of a new item could be scaled by the previous item's gain.
media3 forwards the playback timeline and the current period to
AudioProcessor.flush, and DefaultAudioSink flushes the processors on
every sink configuration, which happens at each media item transition
even when the format is unchanged. That is early enough to set the gain
before any of the new item's buffers are processed, on the playback
thread. See androidx/media#418.
The processor resolves the period back to its MediaItem and reports it,
so the gain maths and the preferences stay in ReplayGainController. That
controller is now written from two threads, so its state is volatile.
The transition callback stays as the fallback for a flush that carries no
period: without it a stale gain would persist for a whole track rather
than for a few milliseconds.
Review follow-ups.
- `ReplayGainController.applyItem` owns reading the gain off a
`MediaItem`, so the transition, the controller and the extras read are
exercised together rather than only in isolation.
- drop the leftover `setTrack(null)` on a missing active source: now that
the transition sets the gain from the item, that line only raced it and
could reset a playing item to unity.
- tests for a zero gain surviving the extras round trip (zero is a real
gain, not an absent one), for the latest item's gain being the one left
applied, and for a missing item applying unity.
The gain was resolved by querying the library from the media item
transition callback, so the buffers the player had already begun
queueing for the new track could be scaled by the previous track's gain.
A quiet track followed by a hot one could clip at the boundary for as
long as that query took.
Carry the gain on `QueueItem` so `queueMediaItem` puts it on the
`MediaItem` extras, and apply it from the item that just became current,
with no library round trip.
That narrows the window rather than closing it: media3 delivers
`onMediaItemTransition` on the app thread after the playback thread has
already rendered for that iteration, so the very first buffers after a
transition can still carry the previous item's gain. The gap is now one
handler hop instead of a database query.
The trade-off is staleness: if a sync changes a track's gain while that
track is queued, the item keeps the old value until it is rebuilt.
Applying a new gain mid-track is of marginal value anyway.
Review follow-ups for the apply slice.
The parse guard in the base branch keeps non-finite gains and peaks out
of the library, but nothing here should depend on that: a value already
stored, or written by a future caller, must not be able to silence a
track or blast it at full scale.
- the gain maths ignores a non-finite peak and falls back to unity when
the result is not finite.
- the processor falls back to unity for a non-finite gain, so
`roundToInt` can never be handed a NaN.
- the preamp is sanitised on both read and write, since `coerceIn` passes
NaN straight through.
- the renderers factory is pulled out of `PlaybackService` into
`ReplayGainRenderersFactory` so a test can assert the sink really is
built with the processor in its chain; the wiring was otherwise
untested.
- a null active source clears the gain rather than leaving the previous
track's applied.
Second slice: read the gain synced in the first one and scale the decoded
PCM by it.
- `ReplayGainProcessor` is a `BaseAudioProcessor` that scales 16-bit and
float samples, saturating on overflow rather than wrapping. It is
installed through `DefaultAudioSink`'s audio processor chain, so it runs
ahead of the default silence-skip and speed processors.
- `replayGainLinearGain` picks the track or album gain according to the
mode, falls back to the other gain when one is missing, adds the preamp,
and caps the result at the peak's headroom so a boost cannot clip. A
non-positive peak means the server has no peak data and is ignored.
- `ReplayGainMode` and the preamp live in `UserPreferences`, defaulting to
track mode and 0 dB. The settings UI is still to come.
- `PlaybackService` resolves the current song's gain alongside its star
state and applies it on every media item transition.
The processor only runs while the audio processor chain does, which
`DefaultAudioSink` skips when float output is enabled. That stays off, as
it is by default.
A second <replayGain> element for the same song cleared whatever the
first one set, because each field was assigned unconditionally and an
absent attribute parses to null. No server is known to split the object
across elements, but the merge costs nothing and the alternative loses
fields silently.
Also covers peaks arriving without gains, which the existing cases did
not.
`toFloatOrNull` accepts `"Infinity"`, `"NaN"` and overflowing literals
like `"1e40"`, so a server (or a corrupt tag it read) could put a
non-finite gain or peak into the library. An infinite peak later caps the
applied gain at negative infinity, i.e. silence; an infinite gain clips
every sample to full scale.
Nothing consumes these columns yet, so this is only about not storing
values that cannot mean anything.
Review follow-ups for the replay gain slice.
`upsertChanged` never checked that its hand-maintained column list and
the row values line up, and SQLite binds a missing trailing value as NULL
without error: adding a column to `songColumns` but not to `Song.values()`
would have written NULLs silently. It now asserts the sizes match before
preparing, so that mistake fails the sync instead.
The replay gain sync test also now re-syncs identical values and asserts
no rows are rewritten, pinning the REAL change-detection clause; an
update there rewrites the `song_search` FTS row for no reason.
Store the per-track replay gain a server reports on OpenSubsonic's
`Child.replayGain` so playback can normalise loudness later.
- add trackGain/albumGain/trackPeak/albumPeak (REAL) to the songs table
and the 27 -> 28 migration
- parse the nested `<replayGain>` element, folding the child-element
dispatch into a single `songChild` shared by the search and album paths
- teach the sync upsert to bind Float, which it previously rejected
baseGain and fallbackGain are omitted: the servers that send the object
do not populate them, so they would only ever be null columns.
Nothing applies the values yet; this slice only mirrors them.
The `search3`-less fallback emitted one batch per album, and
`SyncService.writeSongs` opens a transaction per batch, so syncing a large
library that way ran one transaction per album — thousands of fsyncs, and an
invalidation round for every list observing `songs` with each.
Accumulate what each `getAlbum` returns and flush at `PAGE_SIZE`, so the
fallback writes the same ~500-row batches every other fetch already does.
Albums are fetched concurrently and complete out of order, so the accumulator
sits behind a mutex and the send happens outside it.
Batches are in-flight memory, so the flush is per rows reached rather than
per album page. Measured per `Song` (strings, boxed longs and genre list
included): ~0.7 KiB, so a 500-row batch is ~334 KiB plus ~51 KiB of the
`names`/`genres` structures `writeSongs` derives, where a whole album page
(~5,500 rows) would be ~3.8 MiB. `albumSongs()` is also a bare `channelFlow`,
whose channel holds 64 elements whatever their size, so 500-row batches would
have made its worst case ~21 MiB; it now carries the same `.buffer(1)` that
`entityBatches()` already uses on itself. The rest of the in-flight rows
scale with `syncConcurrency`, so that leaves the default's batch in hand and
a few MiB at the highest setting.
`SubsonicSourceTest.albumSongsAreEmittedInBoundedBatches` asserts the emitted
sizes, [500, 100] for 600 songs spread over 200 three-song albums, which pins
the carried remainder as well as the flush: verified it fails on the
pre-change code (200 batches of 3) and against a mutant that drops the
remainder ([500, 99]). `docs/architecture.md`'s page cap was 20x out of date,
so it is corrected alongside. `ktlintCheck`, `testDebugUnitTest` and
`lintDebug` pass.
A scrobble writes albums.playCount/played, which invalidates the album
list's PagingSource. Room then refreshes from anchor - initialLoadSize/2,
and with placeholders off that page is the presented list: LazyPagingItems
index zero becomes the page's first album, so the grid re-groups its rows
and every cover moves by (oldStart - newStart) % 3 columns, while the last
row's width becomes the loaded count % 3 instead of the library size % 3.
Enable placeholders for the album pager so an album's index is its
absolute position, and draw a placeholder cell for an unloaded slot. The
other lists are single column, so a reload re-anchors them by key and they
never shifted.
This only keeps the grid still; the reloads themselves are still
unnecessary and are tracked separately.
Media3 marks a progressive stream live when the data source reports no
length and the extractor no duration, and a live item makes the media
session publish PLAYBACK_POSITION_UNKNOWN, so the notification progress
never advances even though the item carries the library duration.
The app only declares a stream length for a transcode of a track that has
one in a length-estimable format (`declaredStreamLength`), so a chunked
response stays live for an Opus/Ogg/Vorbis transcode (a length estimate
breaks the end-seek they rely on), for a transcode of a track whose
library duration is missing, and for a direct play the server does not
give a Content-Length. The now playing screen shows progress in all of
those because it falls back to the metadata duration; the notification
had nothing to advance.
Wrap the ExoPlayer in a ForwardingPlayer that reports an item with a
declared duration as finite. The session then publishes the real position
and the metadata duration, so the notification shows progress for every
unknown-length stream, not just Opus. The stream is still not seekable;
only the reported liveness changes.
The cover strip clipped to the 24dp content inset. A landscape cover fills
that inset, so its drop shadow was cut off on the left and right and only
the top and bottom survived, which reads as a stray band hugging the
artwork. A tile that fills the strip's height had the same problem
vertically.
Drop the clip and space the tiles by TILE_GAP instead. The shadow then
renders whole on all four sides while the swipe target and the artwork
keep the size and the content margins they had, and the spacing leaves a
gap between the tiles while dragging between tracks. It is also what keeps
the neighbours off-screen now that the strip is unclipped.
Refs: #173
The playback/queue wall-clock awaits have flaked on the 4-vCPU GitHub
runner at exactly the 30s limit, a different test each time. That is a
stall, not slowness: the suite finishes ~80s for 795 tests, so no test is
anywhere near 30s normally. The JUnit XML holds the stacks but is not
uploaded, leaving the failures undiagnosable from the CI log. Put every
thread's stack in the failure message, which Gradle prints.
While the app is in the foreground a timer checks the auto-sync setting and
syncs when due (default every 24h; the interval is selectable from 15 minutes
to 24 hours). It stops when the app is backgrounded. "Sync automatically"
is one setting: Off, Wi-Fi only (default) or Always.
A running sync is shown by a silent, dismissible notification and a small
spinner on the library tab bar's settings button. A manual pull-to-refresh
still holds the pull spinner; only an automatic sync does not. The library
and Home sync actions no-op while a sync is running, and SyncManager
coalesces a request that arrives mid-run into a single follow-up, so repeated
pull-to-refresh cannot pile up runs while adding a server still syncs it.
The time of the last sync attempt is recorded, so a failing server is retried
once per interval rather than every poll. The sync consumer and the auto-sync
loop both survive an unexpected failure instead of silently disabling syncing
for the rest of the process.
The poll sleeps for the interval (capped at 15 minutes) instead of a fixed
minute, the network mode is collected once rather than re-registering a
connectivity callback each poll, and the decision is logged at DEBUG (visible
with Verbose logging) rather than writing to the log file every poll.
A drop captured the dragged row's queue position once, at drag start, and
committed on a fire-and-forget coroutine. If the queue renumbered while the
drag was in flight (up-next consumed, a reconcile) or before a prior move had
reconciled, the drop resolved its target against stale coordinates and moved
the wrong entry - the "two middle rows swap on release" symptom.
Resolve the move from the current rows at drop time, and have move() report
whether it was accepted so a refused reorder is not announced as done; a
further move is refused while one is still committing.
A short, faded commit hash next to the version in Settings > About, so a bug
report can name the exact build. Baked into BuildConfig at build time from
`git rev-parse HEAD` (fixed 7 chars, so the same commit always yields the
same value and the APK stays reproducible); empty, and hidden, on a build
with no git metadata such as a source tarball.
The React Native 1.x app shipped as com.subtracks and left an AsyncStorage
database (RKStorage), an older `servers` dump and a downloaded/cached
artwork+audio tree in app-specific storage. v3 reads none of those paths, so
an update would otherwise leave the data behind, reachable only by wiping the
whole app.
Remove them once at startup, gated on one of those 1.x paths existing, so a
fresh install does nothing and an upgrade is cleaned exactly once. The cached
trees can be large, so the delete runs off the main thread. Kept in a single
file so it can be deleted once no installs can come from 1.x.
A streamed MP3 with no Xing/Info/VBRI header gets an estimated duration
from Mp3Extractor. At end of stream the extractor rewrites it, which
refreshes the timeline; MediaPeriodQueue.updateQueuedPeriods then sees
the playing period's duration change, drops every period after it and
re-enqueues the next one, so the next track is opened from byte 0 again.
After a seek near the end that repeats a few times.
Route streamed bytes through a bounded SimpleCache (DefaultDataSource ->
CacheDataSource -> KnownLengthDataSource -> OkHttp). A re-opened next
period is served from the bytes the prefetch already committed, so the
redundant network fetches stop without changing playback length or
gapless padding. DefaultDataSource still handles file:/content:, so
downloads bypass the cache.
The cache is a process-scoped 64 MiB LRU in cacheDir/stream-cache; a
construction failure falls back to no cache so playback still starts.
austinried
chiangww