Keep source line breaks, treat the triple-space paragraph separator some servers return as a blank line, justify wrapped bio lines, and append a bold Less control to the expanded bio.
Retry a failed download bio fetch instead of blacklisting the artist for
the rest of the process, and give a failed or offline refresh its own
message so it is not mistaken for a server with no biography.
Wait for the stored row before choosing the bio text, so a cached bio no
longer flashes the loading state on entry, and bound the page refresh so
a stalled response cannot leave the loading state up indefinitely.
Render an oversized first token instead of a blank collapsed line, and
check whether the whole remainder fits in one measurement.
Load the biography when the artist page is entered. A stored biography is
rendered immediately while it refreshes in the background; otherwise the
page starts with the loading message and falls back to the empty state.
Collapse a biography to two lines and append a bold More only when the
text does not fit. Tapping that line expands the biography, after which
the first lines keep clear of the star and overflow buttons and the rest
use the full width.
Artist biographies come from getArtistInfo2, which the library sync does
not call. Store them in their own table so a page open can use the last
value immediately and downloads can keep it for offline use, without
pulling a large text column into every artist list query.
A missing row means the artist has never been fetched; a row with a null
biography means the server had none. That lets the page show the loading
state only until the first fetch completes.
The fallback art reads albums and credits, but a successful sync invalidates through the sources row, so observing those tables only adds refreshes for play, star, and sync writes that do not change artist art.
Avoid re-requesting search focus when the screen is restored, keep the cheaper album-credit-first art lookup, and test restoration plus association-table invalidation.
Keep the search field from stealing focus again when a result is dismissed, observe album and credit tables in artist paging, and simplify the cover fallback to one ranked union. Cover the association-table and invalidation paths in tests.
Fall back to the first album credit cover (then the first track credit) for artist art, keep list searches when opening a result, resume search at the end of the query, and navigate immediately from the artist chooser.
Use 'album' and 'track' instead of a 1/0 flag so the credit kind is readable
without a comment. This column is a constant in the SQL, not a stored value,
and only the per-artist credit query compares it, so the text costs nothing
meaningful.
Default the second row to a greyed "No artist bio available" placeholder.
Keep the collapsed two-line layout with a bold More and the expanded flow
that wraps around the action buttons for the next PR, which will supply the
server biography.
Keep the type and count on the first row with space reserved for the hanging
shuffle, and put the star and more buttons on the blank second row so they sit
at their old height.
Keep the type and count on the same row as the star and more buttons, and move
that row down to where it sat before the split. Give the Albums and Appears on
headers the album and microphone icons alongside the disc-title styling.
Move the star and more buttons from the meta line onto the first section
header so they sit below the hanging shuffle button again, and remove the
per-section counts now that the meta line carries the total.
Distinguish the album-credit rule (any downloaded song on the album) from the
track-credit rule (the credited track itself must be downloaded) in the
repository test, so a swap of those clauses fails.
Assert the combined meta line while loading, cover the downloaded partition
and the plural album/song credit branches, share the album-credit id query
with its plan test, and put the meta line through a translatable string.
Put the artist type and total album count on the single meta row beside the
star and more buttons, then list albums where the artist is an album artist
separately from albums where they only have a track credit. The hero shuffle
button and page-level actions stay where they were.
The split comes from an albumCredit flag on the shared credit rows, so the
online and downloaded album lists are partitioned by the same rule and the
two sections still sum to the stored album count.
Put the download-visibility comment on the constant it describes, keep the
no-scan guards beside the seek assertions, and give the identical-sync test a
positive control for both the artist aggregate and the album play recompute.
Share the artist page SQL with its plan test and assert the artist seeks, so
the test fails if the predicate push-down regresses. Add a query-log test that
an identical sync skips the aggregate, stop the downloaded album badge from
counting a song whose album row is missing, and correct comments that
overclaimed the remaining hand-written credit paths.
Replace the per-credit invalidation with one signal from the sync's write
transactions: if artists, albums or songs changed, the source is marked stale
and a single aggregate pass refreshes counts, plays and the credited flag in
one query. Identical syncs no longer run any of those scans, and a new credit
path cannot forget to invalidate the cache.
A changed sync still reads the credit unions once instead of separately for
counts and plays, and migration 33->34 remains a frozen snapshot rather than
sharing the runtime query text.
The artist page, shuffle, download attribution and artist badge each spelled
out the four credit paths. Reuse the shared credited song and album rows, and
keep only the download-aware album queries hand-written, where the per-credit
download visibility genuinely differs.
The shared song and album rows use UNION ALL so the artist list filter can push
its artist predicate into every branch instead of materialising a deduplicated
union; callers that need a set use DISTINCT or COUNT(DISTINCT).
The credit recompute was keyed on song-to-album moves and relation-table
writes, so a server that changed songs.artistId or albums.artistId while the
plural refs stayed the same left the counts attributed to the old lead. Fold
the lead ids into the change check for both songs and albums.
The artist badge now counts albums from album lead ids and album_artists even
when an album has no songs, and only counts song-credited albums that still
exist, matching what albumsForArtist lists. Preserve the derived albumCount
when the server re-upserts an artist row so an identical sync does not rewrite
it twice, relax the migration guard to either relation table, and share one
album-count order between the plain and downloaded artist lists.
Artist badges and play rankings only counted album credits, while the artist
page, shuffle queue and download attribution already included track credits.
Derive albumCount and the artist plays from the same four-way credit union,
count lead ids that the server omits from the plural refs, and bump the song's
credited artists on a local scrobble even when the track has no album.
Sort the downloaded artist list by the downloaded album count it displays
instead of the synced total, and backfill the artist totals on upgrade so the
fix applies before the next sync.
The preamp prompt promised extra level unconditionally, but a track whose gain has no peak is capped at unity. Say so in the supporting text so the setting does not overpromise for Opus/R128 libraries.
A peak is the only headroom check the gain code has. When the server sends a gain without one (Navidrome does this for Opus R128 gains, which carry no peak tags by design), a positive gain was applied unchecked and the 16-bit sink saturated.
Cap a peakless gain at unity instead: attenuation still applies, but a boost needs a peak to prove it fits. The cap is unchanged when a peak is present.
Update the tests that expected a peakless boost, and cover the positive preamp that can no longer lift a peakless track and the attenuation that still applies.
The adjacent artwork effect keys on the item and queue layout, but the predictions now also depend on the repeat mode. Toggling repeat left the cached neighbours stale, so the edge swipe still resisted until the track changed. Key the effect on the repeat mode too, with a route test that toggles repeat and expects the wrapped previous art.
Lift the wrap arithmetic out of next(), previous() and previousTrack() into nextPosition()/previousPosition() so upcomingItem()/previousItem() cannot drift from the actions again. A one-track queue no longer predicts itself as its own neighbour, online or offline: the wrap would land on the current position, and the actions are a no-op there, so the strip offered a dead swipe.
The now playing strip took its neighbours from previousItem() and upcomingItem(), which returned null at the queue edges online even when repeat would wrap. Swiping there resisted and only a hard fling advanced the track, leaving no artwork to slide in. Mirror next() and previousTrack() so the online path wraps with repeat All, and with repeat One for the next slot.
Use right/down chevrons in the download manager and order downloaded
tracks by disc and track number, matching the album screen. Move sync
concurrency to the end of the network settings, let the artist hero name
wrap to six lines, and leave the album hero title unbounded.
Restore the both-tables-empty fallback in the credit recompute, skip
redundant marker writes, append albumless tracks after album tracks, and make
the paged artist query observe sources. Add tests for an interrupted sync and
the partial-relation migration guard.
Left-join albums in the artist queue queries so albumless credited songs can
be played, downloaded and deleted. Add sortName to the starred index, persist
a per-source stale-credit marker so an interrupted sync cannot strand artist
counts or hide artists, and recompute artist play data in one grouped pass.
Add artists.credited, updated at the end of a sync that changed artists or
credits and backfilled on upgrade when relation data exists. Filter the
artist lists and the downloaded artist list on it, which keeps partially
synced libraries visible and hides display-only rows once credits are known.
Filter the paged, search and home artist lists to artists referenced by the
plural credits, falling back to the full list while the relation tables are
still empty. Display names keep using the singular tag and navigation keeps
using the plural refs.
Collect every credited artist id when resolving album and song sort keys so
the singular id and plural refs can both be looked up, and add regression
tests for the compilation and stale-sort-name cases.
Drop the FTS tables before the backfill so the old triggers do not index rows
that are about to be discarded, and rely on createSearchIndex's rebuild
instead of rebuilding a second time. Treat a whitespace-only artist sortName
as absent, and use the sort keys in the downloads tree too.
Parse the OpenSubsonic sortName attributes, store sort keys on artists,
albums and songs, and sort on them instead of the display names. Resolve
album and track artist sort names from the artists table, and include the
keys in the FTS content so romaji sort names are searchable as well.
Schema 31 rebuilds the sort indexes and search tables, and backfills
existing rows from their display names.
Use songCount as the total for both artist status queries and stop excluding
albumless tracks from download attribution, so the Artists badge and the
artist page agree. Backfill song counts in the 29->30 migration for offline
upgrades, and recompute only when a song moves albums or its credits change
rather than on every play-metadata sync.
Add artists.songCount, recomputed after syncs that change albums or songs,
and derive the Artists tab status map from the download rows plus that count
instead of walking every song. The badge query is now proportional to
downloads rather than library size.
Rewrite artist queue membership as a UNION of indexed song-id branches
instead of an OR that scanned every song, and recompute artist play data from
an explicit credited-album set instead of scanning all albums per artist.
Run PRAGMA optimize after syncing songs and before play aggregation, and
derive downloaded artist lists and filters from downloads rather than all
songs. Count downloaded albums per artist with artist-first branches.
Extend the query timing harness with the artist playback, download and status
queries plus a partial-download fixture.
austinried