The downloaded statements only run with the filter on, so the
(? = 0 OR EXISTS (...)) guards and the CASE around the downloaded counts
were always true. Keep those statements direct and remove the unused bind.
SQLite gives a repeated named parameter one index, so rawQuery can pass the
SQL through unchanged and bind the distinct names in first-appearance order
instead of rewriting them to positional placeholders.
Use named arguments for the repository dispatch, since the adjacent
descending/downloaded booleans were easy to transpose, and add a repository
test that collects the downloaded album grid. Fix the query-timing labels so
the unqualified rows measure the same default path as before.
Rebase follow-up for the new SortNameMode preference: pass it into the
shared album/artist order functions so downloaded pages honour it too,
cover the new _plain indexes in the downloaded artist plan test, and add a
downloaded-mode ordering test.
Add tests for the downloaded artist and playlist paging sources now that
their observed entities are hand-picked, and assert the downloaded
search/starred filters directly. The downloaded artist plan test uses the
real select list and documents the computed album count's in-memory sort,
which the hand-written query also had.
Replace the thirty hand-written order variants with one query builder per
entity plus a default and a downloaded @RawQuery entry point. The
repository's sort dispatch trees and the duplicated positional filters in
LibraryPaging are gone, and the SQL now lives in multi-line strings with
named parameters.
The generated statements are identical to the previous ones modulo
whitespace: the downloaded variants keep the same CASE/download conditions,
and the observed entities match what Room inferred for the old queries. A
small helper rewrites the named parameters to RoomRawQuery's positional
form, including the repeated :sourceId bindings.
The album id is the server id, so use it for the download, the local folder and the prune fixture instead of maintaining a separate remoteId mapping. The cache key moves to v3 because v2 may already hold folders named after the old local ids.
demo.subsonic.org no longer accepts the guest1 account, so the harness downloaded an XML error page and unzip failed before Gradle ran. Download the same three albums from demo.navidrome.org with the demo account, fetch each album's cover art into folder.jpg, and match the album title the files actually carry (Retroconnaissance, without the EP suffix). Bump the music cache key so stale copies from the old source are not reused.
Regenerate the store screenshots from the demo library. Only the artist
page changed meaningfully, so keep that capture, using Nine Inch Nails,
which has a biography and three albums.
The demo test now fetches the artist biography and passes artist art to
the home, library and search screens, so a regeneration keeps their art
instead of falling back to letter placeholders.
The captures now come from a 393x786 dp, 440 dpi phone: Pixel XL's
640x360 dp renders text far larger than a real phone shows it. That
phone renders 1080x2161, one pixel over the 2:1 limit both stores
enforce, so captures are written out at 1080x2160.
Track info now lists the Artist field and the plural Artists field as
their own rows, hiding Artists when it would repeat the Artist value.
Keep one Artist sort row, also hidden when it matches the artist name.
The info rows do not depend on each other: a track with artists but no
artist sort keeps the artists row, and a track with an artist sort but
no artist name still shows the sort row. Pin both so a later label or
value change cannot start requiring both.
The hand-written playlist projection used by the Downloaded filter and
offline mode did not select the new owner and shared columns, so the
playlist Info dialog lost them there while unfiltered lists had them.
Select both columns and pin the filtered path in LibraryDaoTest.
Also share the artist-name extraction between the subtitle and the
plural label so duplicate or blank refs cannot make them disagree,
accept the XML boolean form "1" for the public flag, and strengthen the
date-adjacency and pluralisation tests.
Sort names and titles are only shown when they differ from the regular
name, so artists without a distinct sort name no longer repeat the name.
Track info uses plural labels for both the artists and their sort name
when the track has more than one artist, and singular labels otherwise.
Added and last played sit together in album info.
Playlists gain an Info dialog with owner, sharing, song count, length,
creation and update dates. Owner and the public flag are synced from
getPlaylists, so a schema migration adds both columns.
Size the offline button to 48dp and lift the cloud-off glyph by its
own off-centre so it sits in the middle of the circle. Give the active
filter dot the old FAB treatment: a 7dp dot with a ring in the button
colour, moved onto the top bar of the filter glyph.
Drop the strip above the tab bar, which kept the bottom of the library
busy, and go back to a floating tonal cloud-off button at the bottom
start, level with the FAB on the other side. Tapping it still leaves
offline mode, and the tab bar goes back to just tabs and the gear.
Keep the strip's own tint and the clickable row, but give it the
standard minimum interactive height now that the Surface is no longer
padding it invisibly.
The clickable Surface enforced Material's minimum interactive size, so
trimming its row only moved the text inside a band that stayed 48dp
tall and kept the gap to the tabs. Make the strip itself clickable
instead, so it sizes from its padding, and pin it at 36dp.
Drop the divider and move the strip onto a lightly primary-tinted
version of the bar colour, so it reads as its own band without a rule.
Trim the vertical padding, leaving the strip at 28dp.
Drop the strip's fixed 44dp height so it wraps its content, and draw a
divider between the strip and the tab bar. The label now sits 6dp above
the rule instead of 12dp above the tab icons, which read as one gap.
Put an 8dp spacer at the start of the scrollable content and let the
reveal leave that gap when scrolling back towards the first tab, so the
selected pill no longer sits flush against the screen edge. The spacer
scrolls away, so a tab that is half off is still cut at the edge.
Drop the strip's divider and shorten its label to "Offline mode". Take
the bar's horizontal inset off the scroll container so a tab that is
scrolled half off is cut at the screen edge instead of stopping inside
the bar's gutter; the gear keeps its end padding.
The tab bar measured the selected tab's full label before the trailing
controls, so a long translation or a large font scale squeezed the
settings gear and eventually removed it, and an indicator in the bar
made that happen sooner. Put the tabs in a weighted, horizontally
scrollable strip and keep the gear outside it, then scroll the selected
tab into view when the pager settles, in either layout direction.
Move the offline indicator out of the bar into a strip above the tabs
that names the mode and offers to go online. Offline mode limits every
list, and Home already swaps to downloaded content without saying why;
an icon in the bar could not explain that and competed for the same
width.
Reuse the materialized ranking CTE chain for the per-artist fallback so
duplicate covers keep the same album, exercise the four-row cap, and
test every credit path plus source isolation. Resolve the art input as a
pure function and key the artist and covers off the same source.
Artist detail only used the materialized artist cover list, so credited
track artists without an artists row, or with an empty or stale cover
list, always fell back to the letter placeholder even though their
appearances albums had art. Observe the credit-derived cover query and
use it for the detail art, preferring the cached downloaded covers when
offline. The query covers album, album_artists, song and song_artists
credits.
Gate the restore on the caller's content being ready instead of an item
count that can include only the header, clear it after clamping to the
available rows, and include offset-only positions. Apply the same saver
to the artist grid so a process-death restore does not open at the top.
The lazy list restores its saved position before a paging-backed playlist
has replayed its cached pages, so a zero-item first frame clamped it back
to the top. Track the position separately and reapply it once the item
exists, which covers paged playlists as well as the album and artist
lists. The test disposes and restores the scaffold with an empty first
frame to keep this from regressing.
Album and artist context menus gain an Info dialog covering the plural
album artists, sort names and the play and download details the screens
do not show. Multiple artist links collapse into one ellipsised entry
that opens the artist chooser instead of listing each artist.
Sort lists can now prefer regular names over sort names, or only use
sort names for names without Latin letters. The new plain-name indexes
keep those orders out of a temp B-tree.
Also carry plural artists through the Media3 queue so Now Playing and
the mini player keep them, drop the album artist tap ripple, and show
the aggregate download progress in the tab bar where offline mode used
to sit.
Only reserve the action-button width for the lines they actually overlap, so the collapsed bio's More stays on the third full-width line without moving the actions or spacing.
Turn the 3-cover layout upside down so the stem runs from the centre to the top edge and the two arms open toward the bottom, leaving one boundary straight up from the centre.
Nudge the star and overflow row 8dp right, and restore the vertical offset, so the action row and shuffle button share a centre line. Keep the extra collapsed-bio spacing and the gap before the Albums header.
Move the breathing room into the bio text instead of offsetting the star and overflow actions, which broke their centre alignment with the shuffle button.
The three-line collapsed bio let its More control sit under the star and overflow buttons, and the collapsed state had no bottom gap before the Albums header. Move the actions up, reserve their width on all three collapsed lines, and add the same bottom gap the expanded state uses.
Move change detection into a desired CTE with UPDATE ... FROM so mass updates do not turn the trailing WHERE into a quadratic correlated scan, and so no-op passes write zero rows. Fold the trigger optimization into the 35->36 migration and re-check/rewrite it from onOpen, so a future migration cannot silently restore the full UPDATE triggers. Re-resolve artist detail art when the active source becomes ready, and cover artist search renames in a Room-level test.
The materialized art update rewrote every artist row on every library-changing sync. That fired the FTS5 content-sync triggers for each artist, which was the real cost: the same SQL is ~10ms with the triggers removed and ~4.7s for 100 changed artists with them in place. Only update rows whose cover lists actually changed, and replace the generated artist search triggers with UPDATE OF name, sortName so art-only writes never touch the FTS index. Existing databases get this through migration 36->37; fresh databases get it from the onCreate callback.
Cap the resolver at four covers, re-rank after deduplication so duplicate covers do not consume the grid budget, carry a thumbnail per fallback step, and advance to the grid when both the full image and its thumbnail fail. Negative-cache failed provider-image fetches per artist URL, clear materialized downloaded covers when all downloads are removed, and drop redundant plumbing.
austinried